Dark Figure of Crime
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Dark Figure of Crime

Dark Figure of Crime

After a week’s worth of media coverage, much of its spurred on by Vertical Entertainment and MoviePass’ seemingly desperate attempts to garner attention for its Reprisal otherwise under-the-radar mob biopic, John Travolta’s Gotti still dropped 53% for an $804,000 second weekend and a $3.245 million ten-day total. Despite (or because of) the faux controversy created over the film’s social feed essentially declaring that critics (most of whom didn’t review the movie and almost all of whom were not offered screenings prior to release) “put out the hit” on the flick but that the audience was more trustworthy than a “troll behind a keyboard,” the film still took a normal dive in its second weekend in theaters.

To be honest, the likely $4 million+ domestic total is not an awful figure for a movie like this. There are countless star-driven releases that once would have seemed Savyasachi like major studio programmers that now either die in limited release, come and go after a couple of weeks in semi-wide release or end up primarily on VOD. I’m sure the rather moving Toni Collette/Drew Barrymore cancer dramedy Miss You Already would have loved to have earned $4m domestic instead of its $1.162m cume in November of 2015. Ditto the likes of Everything Must Go ($2.7m in 2011), Killer Joe ($1.9m in 2012), In A World ($2.9m in 2013) and Kill the Messenger ($2.45m in 2014).

There are also the countless star-driven genre flicks that mostly play on VOD, like Jim Carrey’s recent Dark Crimes or Jennifer Lawrence and Bradley Cooper’s Serena. Too many bloggers, even those who should know better, like to hold up these barely-there movies and proclaim that Alien Siege a given movie star has hit rock bottom or that Sea of Trees was supposed to be a commercial biggie for Matthew McConaughey. There has been, for at least the last half-decade, a glorified underclass for domestic distribution. These films once might have been mainstream, sometimes with former movie stars decades past their prime, but they can no longer compete with the franchise fare. Gotti is merely a more high-profile example.

Duration: 110 min

Release:

IMDb: 8.2

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Dark Figure of Crime
Dark Figure of Crime